1985.R.324, Oval gilted frame, c. 1675



GENERAL DESCRIPTION
The picture frame is now so ubiquitous that one forgets that, like all familiar forms, it was an invention. Although frames were originally conceived to protect the picture physically and enhance it aesthetically, their invention led gradually to the creation of a separate type of craft associated more often with furniture making than with the creation of pictures themselves.

Baroque exuberance abounds in the massing of leaves and flowers carved in high relief on this frame.

Adapted from
  • Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection. (Dallas, Texas: Dallas Museum of Art, 1995), 62.
  • Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 172.

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PROVENANCE 
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]

From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]

[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.

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General Description
The picture frame is now so ubiquitous that one forgets that, like all familiar forms, it was an invention. Although frames were originally conceived to protect the picture physically and enhance it aesthetically, their invention led gradually to the creation of a separate type of craft associated more often with furniture making than with the creation of pictures themselves.

Baroque exuberance abounds in the massing of leaves and flowers carved in high relief on this frame.

Adapted from
  • Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection. (Dallas, Texas: Dallas Museum of Art, 1995), 62.
  • Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 172.

Fun Facts

Archival Resources

Web Resources
 

Notes
TMS Updates: 
- search dates
- Provenance
- Geography Xrefs - Place of Origin
- Object title
- Bibliography

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]

From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]

[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.

AUDIO ASSETS 

VIDEO ASSETS

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id
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4195127
tags
#draft
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%copyedited_Gail
%Archived
carving (processes): AAT: 300053149
painting (visual works): AAT: 300033618
*Decorative Arts and Design
decorative arts: AAT: 300054168
@bartsch-allen
furnishings (Hierarchy Name): AAT: 300037335
Reves_Wendy: DMA
Reves_Emery: DMA
Villa La Pausa: DMA
Reves_Emery: ULAN: 500444887
frames (for object): AAT: 300189814
oval (shape): AAT: 300263817
mirrors: AAT: 300037682
gilding (material): AAT: 300379350
gesso: AAT: 300014952
flower (motif): AAT: 300375563
foliage (motif): AAT: 300400481
frames (furnishing): AAT: 300189814
gold (color): AAT: 300311191
gilding (technique): AAT: 300053789
Netherlands (nation): TGN: 7016845
Baroque: AAT: 300021147
picture frames: AAT: 300404391
high reliefs (sculpture): 300184782
water gilding: AAT: 300053795
source file
object_notes_1_b-0080.xml.nores