1985.R.333, Frame, c. 1650- c. 1700

Extensive use of tortoise shell decoration on frames, boxes, and cabinets was one result of the world-wide sea trade of Spain and the Spanish Netherlands (Flanders). Frame makers often used colored papers or metallic foil behind the shell or tinted it, as here, to enrich its color.

Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 171.

Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]

From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]

[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.

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