GENERAL DESCRIPTION
Fashion designer, Gabrielle (Coco) Chanel, originally installed this chair, and eight others like it [1985.R.585, 1985.R.586, 1985.R.587, 1985.R.588, 1985.R.589], at Villa La Pausa, and they remained part of the villa's decor through the residency of Wendy and Emery Reves.
One of the hallmarks of La Pausa was simplicity, a characteristic that applied not only to decoration but also to etiquette. Lunches and dinners were not served at a table but as a buffet. The height of the seats of the Louis XIII-style chairs meant that it was not always possible to sit comfortably at the neo-Gothic table [1985.R.590.A-B], whose source was probably an English grammar school. Today, the chairs are upholstered in pale green fabric, but they were originally covered with dark leather.
Adapted from
- Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 20.
- DMA Label copy (1985.R.584-589)
NOTES
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PROVENANCE
Until 1953: Gabrielle (Coco) Chanel (1883-1971), La Pausa, Roquebrune-Cap-Martin, France [1]
1953-1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France, acquired from the above upon the sale of Villa La Pausa to Emery Reves, 1953 [1][2]
From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [2]
[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 20.
[2] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.
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RULES
set operator as or
Apply to objects where number equals 1985.R.584
Apply to objects where number equals 1985.R.585
Apply to objects where number equals 1985.R.586
Apply to objects where number equals 1985.R.587
Apply to objects where number equals 1985.R.588
Apply to objects where number equals 1985.R.589
Category
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General Description
Fashion designer, Gabrielle (Coco) Chanel, originally installed this chair, and eight others like it [1985.R.585, 1985.R.586, 1985.R.587, 1985.R.588, 1985.R.589], at Villa La Pausa, and they remained part of the villa's decor through the residency of Wendy and Emery Reves.
One of the hallmarks of La Pausa was simplicity, a characteristic that applied not only to decoration but also to etiquette. Lunches and dinners were not served at a table but as a buffet. The height of the seats of the Louis XIII-style chairs meant that it was not always possible to sit comfortably at the neo-Gothic table [1985.R.590.A-B], whose source was probably an English grammar school. Today, the chairs are upholstered in pale green fabric, but they were originally covered with dark leather.
Adapted from
- Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 20.
- DMA Label copy (1985.R.584-589)
Fun Facts
Archival Resources
Web Resources
Notes
TMS Updates:
- Provenance
- Title
- Published references
- text entry
- Geography Xrefs - Place of Origin
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 1953: Gabrielle (Coco) Chanel (1883-1971), La Pausa, Roquebrune-Cap-Martin, France [1]
1953-1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France, acquired from the above upon the sale of Villa La Pausa to Emery Reves, 1953 [1][2]
From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [2]
[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 20.
[2] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.
AUDIO ASSETS
VIDEO ASSETS
rules
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1985.R.584
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1985.R.585
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1985.R.586
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1985.R.587
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1985.R.588
Apply To
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1985.R.589
source file
object_notes_1_b-0072.xml.nores