1987.186.1.a-b, Paul de Lamerie, Covered cup, 1742, silver


GENERAL DESCRIPTION  
Originating in France in the 1720s, the rococo taste for naturalistic details and undulating forms had spread across Europe by 1740. Paul de Lamerie became one of Great Britain's most distinguished silversmiths. Born of French Huguenot parents, de Lamerie worked deftly in the French taste, becoming a primary exponent of the rococo style in England. The covered cup shown here was part of the silver that Algernon Coote, sixth earl of Mountrath (1689-1744), commissioned over several years from de Lamerie. This cup and its mate, now owned by the Indianapolis Museum of Art, are truly extraordinary; they are the finest of all of de Lamerie's covered cups. Here the writhing rococo ornament, which includes grapevines, snails, and a salamander, is deftly controlled and balanced. Cast on the side of the cups are the Mountrath arms surmounted by a coronet and the motto Vincit Veritas (Truth Conquers).

Excerpt from
Bonnie Pitman, ed. "Covered cup" in Dallas Museum of Art: A Guide to the Collection (New Haven, CT: Yale University Press, 2012), 171.

NOTES
did not get object file, no provenance, no TMS work, HAB 12/10/2018

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General Description
 
Originating in France in the 1720s, the rococo taste for naturalistic details and undulating forms had spread across Europe by 1740. Paul de Lamerie became one of Great Britain's most distinguished silversmiths. Born of French Huguenot parents, de Lamerie worked deftly in the French taste, becoming a primary exponent of the rococo style in England. The covered cup shown here was part of the silver that Algernon Coote, sixth earl of Mountrath (1689-1744), commissioned over several years from de Lamerie. This cup and its mate, now owned by the Indianapolis Museum of Art, are truly extraordinary; they are the finest of all of de Lamerie's covered cups. Here the writhing rococo ornament, which includes grapevines, snails, and a salamander, is deftly controlled and balanced. Cast on the side of the cups are the Mountrath arms surmounted by a coronet and the motto Vincit Veritas (Truth Conquers).

Excerpt from
Bonnie Pitman, ed. "Covered cup" in Dallas Museum of Art: A Guide to the Collection (New Haven, CT: Yale University Press, 2012), 171.

Fun Facts

Archival Resources

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Notes
did not get object file, no provenance, no TMS work, HAB 12/10/2018

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 

AUDIO ASSETS 

VIDEO ASSETS

rules
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Objects
number
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1987.186.1.a-b
tags
#draft
#completed
@Bowling
cups (drinking vessels): AAT: 300043202
luxury (concept / condition): DMA
*Decorative Arts and Design
%TMS pending
%Geo pending
%ProvenancePending
metalwork: AAT: 300015336
England (nation): TGN: 7002445
grapes (berry fruit): AAT: 300379338
balance (composition concept): AAT: 300056247
metalworking: AAT: 300053946
silver (metal): AAT: 300011029
France (nation): TGN: 1000070
%NotArchived
vines: AAT: 300132406
Rococo (period and style): AAT: 300021155
silversmiths: AAT: 300025323
commissions (events): AAT: 300393199
snails (Gastropoda class / Mollusca phylum): AAT: 300249702
source file
object_notes_1_b-0068.xml.nores