GENERAL DESCRIPTION
Displayed as the focus of the Tiffany & Co. exhibit at the 1900 World's Fair in Paris, this lavish centerpiece was part of a service containing more than two hundred works in a related pattern. At the time of the exposition, critics wrote of the George III centerpiece as an example of pure silversmithing in its highest state. The centerpiece is the work of Tiffany's most renowned designer, George Paulding Farnham, who was responsible for the firm's silverware and jewelry designs, often drawing upon his expertise in the latter to produce intricately detailed and opulent objects for expositions at the turn of the century.
Excerpt from
Bonnie Pitman, ed. "George III centerpiece" in Dallas Museum of Art: A Guide to the Collection (New Haven, CT: Yale University Press, 2012), 220.
NOTES
did not get object file, no provenance, no TMS work, HAB 12/10/2018
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 1998.13
Category
rules_operator
AND
General Description
Displayed as the focus of the Tiffany & Co. exhibit at the 1900 World's Fair in Paris, this lavish centerpiece was part of a service containing more than two hundred works in a related pattern. At the time of the exposition, critics wrote of the George III centerpiece as an example of pure silversmithing in its highest state. The centerpiece is the work of Tiffany's most renowned designer, George Paulding Farnham, who was responsible for the firm's silverware and jewelry designs, often drawing upon his expertise in the latter to produce intricately detailed and opulent objects for expositions at the turn of the century.
Excerpt from
Bonnie Pitman, ed. "George III centerpiece" in Dallas Museum of Art: A Guide to the Collection (New Haven, CT: Yale University Press, 2012), 220.
Fun Facts
Archival Resources
Web Resources
Notes
did not get object file, no provenance, no TMS work, HAB 12/10/2018
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
1998.13
source file
object_notes_1_b-0058.xml.nores