1989.100 Thomas Sully, Mary Harvey, Mrs. Paul Beck, Jr.


GENERAL DESCRIPTION  
When wealthy Philadelphia merchant Paul Beck, Jr., decided to commission portraits of himself and his second wife, Mary Harvey, the choice of Thomas Sully was an obvious one. Every detail, from the curve of the sofa on which Mrs. Beck's arm rests to her high-waisted gown and curls à la grecque, as well as the neutral background, reveals Sully's mastery of the neoclassical taste so popular in Federal Philadelphia.

Two years earlier, fresh from studies with Gilbert Stuart in Boston and Sir Thomas Lawrence in London, the young artist had caused a sensation in Philadelphia. Sully's rapid execution and sheer facility with the brush made him the toast of the town-and the successor to the elderly Gilbert Stuart, who had previously been the splashiest, finest portraitist available in the young republic.

Excerpt from
William Keyse Rudolph, DMA label text, 2006.

NOTES

Created in 1813

Object File reviewed

Artist born Horncastle, Lincolnshire, England
Died Philadelphia

According to Christie's: Mary Harvey was the second wife of Paul Beck, Jr. Sully records that he began Mrs. Beck's portrait on April 23, 1813 and finished it on June 8, 1813, at a price of $100. A companion portrait (private collection) of Mr. Beck (Biddle and Fielding, no. 106) was begun on April 2, 1813 and finished on September 6, 1813 at a price of $100.

No Provenance entered in TMS until resolved.
According to Christie's:

1813: Paul Beck Jr., Philadelphia, PA
n.d.: Henry Paul Beck, by inheritance
n.d.: Henry Dwight Beck, by inheritance
n.d.: John B. Webster
n.d.: Kennedy Galleries, Inc., New York
n.d.: The Virginia Steele Scott Foundation, Pasadena  HOW DID IT GET FROM HERE TO DMA? WHAT ABOUT DONATION TO HUNTINGTON?
From 1989: Dallas Museum of Art, gift of the Pauline Allen Gill Foundation

Catalogue essays

Artist/designers
Sully, Thomas (British born American, 1783-1872)

Cultures

Geography 
Place of origin: Philadelphia (Pennsylvania/United States): TGN: 7014406

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 


AUDIO ASSETS 
UMO: 264288051 Learn About Thomas Sully (1783-1872)

VIDEO ASSETS

IMAGE ASSETS

WEB RESOURCES 
  • Paul Beck Jr. by Thomas Sully~View Thomas Sully's companion portrait of Mary Harvey's husband, Paul Beck Jr., at the Huntington Art Collection. 


ARCHIVAL RESOURCES

FUN FACTS

TEACHING IDEAS

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Apply to objects where number equals 1989.100

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General Description
 
When wealthy Philadelphia merchant Paul Beck, Jr., decided to commission portraits of himself and his second wife, Mary Harvey, the choice of Thomas Sully was an obvious one. Every detail, from the curve of the sofa on which Mrs. Beck's arm rests to her high-waisted gown and curls à la grecque, as well as the neutral background, reveals Sully's mastery of the neoclassical taste so popular in Federal Philadelphia.

Two years earlier, fresh from studies with Gilbert Stuart in Boston and Sir Thomas Lawrence in London, the young artist had caused a sensation in Philadelphia. Sully's rapid execution and sheer facility with the brush made him the toast of the town-and the successor to the elderly Gilbert Stuart, who had previously been the splashiest, finest portraitist available in the young republic.

Excerpt from
William Keyse Rudolph, DMA label text, 2006.

Fun Facts

Archival Resources

Web Resources
 
  • Paul Beck Jr. by Thomas Sully~View Thomas Sully's companion portrait of Mary Harvey's husband, Paul Beck Jr., at the Huntington Art Collection. 


Notes

Created in 1813

Object File reviewed

Artist born Horncastle, Lincolnshire, England
Died Philadelphia

According to Christie's: Mary Harvey was the second wife of Paul Beck, Jr. Sully records that he began Mrs. Beck's portrait on April 23, 1813 and finished it on June 8, 1813, at a price of $100. A companion portrait (private collection) of Mr. Beck (Biddle and Fielding, no. 106) was begun on April 2, 1813 and finished on September 6, 1813 at a price of $100.

No Provenance entered in TMS until resolved.
According to Christie's:

1813: Paul Beck Jr., Philadelphia, PA
n.d.: Henry Paul Beck, by inheritance
n.d.: Henry Dwight Beck, by inheritance
n.d.: John B. Webster
n.d.: Kennedy Galleries, Inc., New York
n.d.: The Virginia Steele Scott Foundation, Pasadena  HOW DID IT GET FROM HERE TO DMA? WHAT ABOUT DONATION TO HUNTINGTON?
From 1989: Dallas Museum of Art, gift of the Pauline Allen Gill Foundation

Catalogue essays

Artist/designers
Sully, Thomas (British born American, 1783-1872)

Cultures

Geography 
Place of origin: Philadelphia (Pennsylvania/United States): TGN: 7014406

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 


AUDIO ASSETS 
UMO: 264288051 Learn About Thomas Sully (1783-1872)

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
1989.100
tags
#draft
#completed
women: AAT: 300025943
%Archived
sitting (seated): AAT: 300263970
earrings (jewelry): AAT: 300045998
*American Art
@Russell
white (color): AAT: 300129784
Philadelphia (Pennsylvania/United States): TGN: 7014406
#routed
hands (animal or human components): AAT: 300310193
dresses (garments): AAT: 300046159
collars (neckwear): AAT: 300210058
portrait: AAT: 300015637
Neoclassical (style): AAT: 300021477
%copyedited_Chloe
%provprob
shawls (perraje / outwear): AAT: 300209991
headbands (headgear): AAT: 300046115
sofas: AAT: 300038634
lace (needlework): AAT: 300132861
Sully_Thomas: ULAN: 500006873
264288051: UMO
source file
object_notes_1_b-0043.xml.nores