1985.R.815.A-B, Coffer with bail handle, etched iron, Germany possible Nuremberg, c. 1600–1700


GENERAL DESCRIPTION  
Miniature strongboxes like this example were popular among Europe's wealthy. Because they were made of iron, yet were relatively lightweight and featured a carrying ring, they provided a safe repository for coins, documents, and jewels that could be taken on journeys. This example has the added security feature of being two-faced. One side has the true hasp, the other a false one. Prying hands had to determine which hasp actually covered the keyhole before the lock could successfully be breached. 

The designs of heraldic single birds within borders of leafed scrolling vines are copied from engravings of the period. The desired ornament was "masked off" with varnish, and acid was applied to eat away the background. The south German city of Nuremberg was known for this type of etched decoration.

Adapted from
  • Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 14.
  • Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 178.

NOTES
TMS update
place of origin
publication entry

These miniature strongboxes held coins and jewels, and were easy to carry on journeys. In this one a hasp hides the keyhole. The designs of heraldic single birds within borders of leafed scrolling vines are copied from engravings of the period. Nuremberg was a center for this type of etched ironwork. 
Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 178.


Miniature strongboxes like this example were popular among Europe's wealthy. Because they were made of iron, yet were relatively lightweight and featured a carrying ring, they provided a safe repository for coins, documents, and jewels that could be taken on journeys. This example has the added security feature of being two-faced. One side has the true hasp, the other a false one. Prying hands had to determine which hasp actually covered the keyhole before the lock could successfully be breached. 

This box is decorated with birds and foliate scrollwork in square reserves. The desired ornament was "masked off" with varnish, and acid was applied to eat away the background. The south German city of Nuremberg was known for this type of etched decoration.
Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 14.

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Cultures

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RELATED OBJECTS 

PROVENANCE 
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]

From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]

[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.

AUDIO ASSETS 

VIDEO ASSETS

IMAGE ASSETS

WEB RESOURCES 
Victoria and Albert Museum~Read an article about Acid-etched Metal in Renaissance and Early Modern Europe.

ARCHIVAL RESOURCES

FUN FACTS

TEACHING IDEAS

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Apply to objects where number equals 1985.R.815.A-B

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General Description
 
Miniature strongboxes like this example were popular among Europe's wealthy. Because they were made of iron, yet were relatively lightweight and featured a carrying ring, they provided a safe repository for coins, documents, and jewels that could be taken on journeys. This example has the added security feature of being two-faced. One side has the true hasp, the other a false one. Prying hands had to determine which hasp actually covered the keyhole before the lock could successfully be breached. 

The designs of heraldic single birds within borders of leafed scrolling vines are copied from engravings of the period. The desired ornament was "masked off" with varnish, and acid was applied to eat away the background. The south German city of Nuremberg was known for this type of etched decoration.

Adapted from
  • Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 14.
  • Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 178.

Fun Facts

Archival Resources

Web Resources
 
Victoria and Albert Museum~Read an article about Acid-etched Metal in Renaissance and Early Modern Europe.

Notes
TMS update
place of origin
publication entry

These miniature strongboxes held coins and jewels, and were easy to carry on journeys. In this one a hasp hides the keyhole. The designs of heraldic single birds within borders of leafed scrolling vines are copied from engravings of the period. Nuremberg was a center for this type of etched ironwork. 
Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 178.


Miniature strongboxes like this example were popular among Europe's wealthy. Because they were made of iron, yet were relatively lightweight and featured a carrying ring, they provided a safe repository for coins, documents, and jewels that could be taken on journeys. This example has the added security feature of being two-faced. One side has the true hasp, the other a false one. Prying hands had to determine which hasp actually covered the keyhole before the lock could successfully be breached. 

This box is decorated with birds and foliate scrollwork in square reserves. The desired ornament was "masked off" with varnish, and acid was applied to eat away the background. The south German city of Nuremberg was known for this type of etched decoration.
Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 14.

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]

From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]

[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
1985.R.815.A-B
tags
#draft
#completed
%copyedited_Gail
%Archived
scrolls (spirals/motifs): AAT: 300010094
*Decorative Arts and Design
decorative arts: AAT: 300054168
@bartsch-allen
containers (hierarchy name): AAT: 300045611
containers (receptacles): AAT: 300197197
Europe (continent): TGN: 1000003
Reves_Wendy: DMA
Villa La Pausa: DMA
Reves_Emery: ULAN: 500444887
iron (metal): AAT: 300011002
ironwork (visual works): AAT: 300015338
key (hardware): AAT: 300033579
scrolling foliage: AAT: 300165387
boxes (containers): AAT: 300045643
locks (securing devices): AAT: 300033407
strongbboxes: AAT: 300198932
etching (corroding): AAT: 300053840
foliation (pattern): AAT: 300165104
acid: AAT: 300011752
varnish: AAT: 300014974
Nuremberg (Germany): TGN: 7004334
scrollwork (patterns): AAT: 300010205
foliage (motif): AAT: 300400481
hasps: AAT: 300033514
source file
object_notes_1_a-0402.xml.nores