1985.R.816, Box, France, c. 1475–1550


GENERAL DESCRIPTION  
Sometimes called girdle boxes, small portable strongboxes like this one are believed to have been used for transporting important documents or money in the late medieval and early Renaissance periods. Constructed of a wooden core covered with sheets of wrought and pierced iron and fitted with a large lock, this box was well protected from the dangers inherent in travel during this era. The rings on the side were probably used to attach the box to the messenger's belt for further security. 

Adapted from
  • Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 13.
  • Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 177.

NOTES
TMS updates
palce of origin
text entries

Small portable boxes like this one are believed to have been used for transporting messages in the late medieval and early Renaissance periods. Constructed of a wooden core covered with sheets of wrought and pierced iron and fitted with a large lock, this box was well protected from the dangers inherent in travel during this era. The rings on the side were probably used to attach the box to the messenger's belt for further security. 
Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 13.

Sometime called girdle boxes, these small strongboxes were used by couriers to carry important documents or money. This wood box is reinforced with iron strips and a tracery of pierced iron. Note the formidable lock and the rings used to attach the box to the messenger's belt. 
Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 177.

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RELATED OBJECTS 

PROVENANCE 
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]

From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]

[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.

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Apply to objects where number equals 1985.R.816

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General Description
 
Sometimes called girdle boxes, small portable strongboxes like this one are believed to have been used for transporting important documents or money in the late medieval and early Renaissance periods. Constructed of a wooden core covered with sheets of wrought and pierced iron and fitted with a large lock, this box was well protected from the dangers inherent in travel during this era. The rings on the side were probably used to attach the box to the messenger's belt for further security. 

Adapted from
  • Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 13.
  • Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 177.

Fun Facts

Archival Resources

Web Resources
 
Notes
TMS updates
palce of origin
text entries

Small portable boxes like this one are believed to have been used for transporting messages in the late medieval and early Renaissance periods. Constructed of a wooden core covered with sheets of wrought and pierced iron and fitted with a large lock, this box was well protected from the dangers inherent in travel during this era. The rings on the side were probably used to attach the box to the messenger's belt for further security. 
Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 13.

Sometime called girdle boxes, these small strongboxes were used by couriers to carry important documents or money. This wood box is reinforced with iron strips and a tracery of pierced iron. Note the formidable lock and the rings used to attach the box to the messenger's belt. 
Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 177.

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]

From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]

[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.

AUDIO ASSETS 

VIDEO ASSETS

rules
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Objects
number
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1985.R.816
tags
#draft
#completed
%copyedited_Gail
%Archived
*Decorative Arts and Design
decorative arts: AAT: 300054168
@bartsch-allen
Europe (continent): TGN: 1000003
Reves_Wendy: DMA
Villa La Pausa: DMA
Reves_Emery: ULAN: 500444887
metalwork: AAT: 300015336
iron (metal): AAT: 300011002
metalworking: AAT: 300053946
metal: AAT: 300010900
metalworkers (metalsmiths): AAT: 300025297
ironwork (visual works): AAT: 300015338
hardware (components): AAT: 300033260
key (hardware): AAT: 300033579
Renaissance: AAT: 300021140
piercing: AAT: 300231153
Medieval (European style and period): AAT: 300020756
tracery: AAT: 300003184
boxes (containers): AAT: 300045643
locks (securing devices): AAT: 300033407
strongbboxes: AAT: 300198932
source file
object_notes_1_a-0401.xml.nores