2008.100.a-e, Annette Lawrence, Free Paper 12/05, 2006-2008, mixed media


GENERAL DESCRIPTION  
For thirteen months, following the lunar calendar, Denton-based artist Annette Lawrence collected and repurposed her junk mail as a record of the time's passage and an archive of her existence through the lens of capitalism. Free Paper 12 / 05 is an accumulation of junk mail Lawrence received during one month, December 2005. The title considers both the surplus of material circulating via post, and the inescapability of our role as consumers. While the seemingly endless supply of paper delivered in the mail appears free to the recipient, Lawrence considers the environmental expense it yields. A second layer of meaning comes from the Jamaican adage "Your free-paper burn," which references the documents received by freed slaves and is used as a reminder of when one's free time is up, and one must return to work.

Excerpt from
Elise Armani, DMA Label text, Body Ego, 2018.

NOTES
  • updated provenance; updated geo x ref (Denton)

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RELATED OBJECTS 

PROVENANCE 
Until 2008: Dunn and Brown Contemporary, Dallas, Texas [1]

From 2008: Dallas Museum of Art, purchased from above

[1] See copy of check #13687 in Collections Records Object File 2008.100.a-e

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General Description
 
For thirteen months, following the lunar calendar, Denton-based artist Annette Lawrence collected and repurposed her junk mail as a record of the time's passage and an archive of her existence through the lens of capitalism. Free Paper 12 / 05 is an accumulation of junk mail Lawrence received during one month, December 2005. The title considers both the surplus of material circulating via post, and the inescapability of our role as consumers. While the seemingly endless supply of paper delivered in the mail appears free to the recipient, Lawrence considers the environmental expense it yields. A second layer of meaning comes from the Jamaican adage "Your free-paper burn," which references the documents received by freed slaves and is used as a reminder of when one's free time is up, and one must return to work.

Excerpt from
Elise Armani, DMA Label text, Body Ego, 2018.

Fun Facts

Archival Resources

Web Resources
 

Notes
  • updated provenance; updated geo x ref (Denton)

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 2008: Dunn and Brown Contemporary, Dallas, Texas [1]

From 2008: Dallas Museum of Art, purchased from above

[1] See copy of check #13687 in Collections Records Object File 2008.100.a-e

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
2008.100.a-e
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*Contemporary Art
Texas (state/United States): TGN: 7007826
consumers: AAT: 300025836
advertisements: AAT: 300193993
mailboxes: AAT: 300003853
architecture (object genre): AAT: 300263552
calendars: AAT: 300026741
time: AAT: 300133089
Lawrence_Annette: ULAN: 500114721
mail (documents): AAT: 300380287
environmental art: AAT: 300121451
capitalism: AAT: 300055518
source file
object_notes_1_a-0298.xml.nores