GENERAL DESCRIPTION
For thirteen months, following the lunar calendar, Denton-based artist Annette Lawrence collected and repurposed her junk mail as a record of the time's passage and an archive of her existence through the lens of capitalism. Free Paper 12 / 05 is an accumulation of junk mail Lawrence received during one month, December 2005. The title considers both the surplus of material circulating via post, and the inescapability of our role as consumers. While the seemingly endless supply of paper delivered in the mail appears free to the recipient, Lawrence considers the environmental expense it yields. A second layer of meaning comes from the Jamaican adage "Your free-paper burn," which references the documents received by freed slaves and is used as a reminder of when one's free time is up, and one must return to work.
Excerpt from
Elise Armani, DMA Label text, Body Ego, 2018.
NOTES
- updated provenance; updated geo x ref (Denton)
Catalogue essays
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RELATED OBJECTS
PROVENANCE
Until 2008: Dunn and Brown Contemporary, Dallas, Texas [1]
From 2008: Dallas Museum of Art, purchased from above
[1] See copy of check #13687 in Collections Records Object File 2008.100.a-e
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Apply to objects where number equals 2008.100.a-e
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General Description
For thirteen months, following the lunar calendar, Denton-based artist Annette Lawrence collected and repurposed her junk mail as a record of the time's passage and an archive of her existence through the lens of capitalism. Free Paper 12 / 05 is an accumulation of junk mail Lawrence received during one month, December 2005. The title considers both the surplus of material circulating via post, and the inescapability of our role as consumers. While the seemingly endless supply of paper delivered in the mail appears free to the recipient, Lawrence considers the environmental expense it yields. A second layer of meaning comes from the Jamaican adage "Your free-paper burn," which references the documents received by freed slaves and is used as a reminder of when one's free time is up, and one must return to work.
Excerpt from
Elise Armani, DMA Label text, Body Ego, 2018.
Fun Facts
Archival Resources
Web Resources
Notes
- updated provenance; updated geo x ref (Denton)
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 2008: Dunn and Brown Contemporary, Dallas, Texas [1]
From 2008: Dallas Museum of Art, purchased from above
[1] See copy of check #13687 in Collections Records Object File 2008.100.a-e
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
2008.100.a-e
source file
object_notes_1_a-0298.xml.nores