GENERAL DESCRIPTION
Fashion designer, Gabrielle (Coco) Chanel, originally installed this wooden table at Villa La Pausa, and it remained part of the villa's decor through the residency of Wendy and Emery Reves. Over the years, items of furniture moved from from one room to another before finishing their journey in very different rooms in the Reves' wing in the Dallas Museum of Art. This table, for example, was originally situated in Chanel's bedroom in the early years of La Pausa, but was eventually moved to the dining room where it remains today in the recreated dining room in Dallas. One of the hallmarks of La Pausa was simplicity, a characteristic that applied not only to decoration but also to etiquette. Lunches and dinners were not served at table but as a buffet.
Adapted from
- DMA unpublished material
- Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 16 and 20.
NOTES
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Tag photo in From Chanel to Reves on page 17 and 21 once permission to use is granted
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PROVENANCE
Until 1953: Gabrielle (Coco) Chanel (1883-1971), La Pausa, Roquebrune-Cap-Martin, France
1953-1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France, acquired from the above upon the sale of Villa La Pausa to Emery Reves, 1953
From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007)
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General Description
Fashion designer, Gabrielle (Coco) Chanel, originally installed this wooden table at Villa La Pausa, and it remained part of the villa's decor through the residency of Wendy and Emery Reves. Over the years, items of furniture moved from from one room to another before finishing their journey in very different rooms in the Reves' wing in the Dallas Museum of Art. This table, for example, was originally situated in Chanel's bedroom in the early years of La Pausa, but was eventually moved to the dining room where it remains today in the recreated dining room in Dallas. One of the hallmarks of La Pausa was simplicity, a characteristic that applied not only to decoration but also to etiquette. Lunches and dinners were not served at table but as a buffet.
Adapted from
- DMA unpublished material
- Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 16 and 20.
Fun Facts
Archival Resources
Web Resources
Notes
TMS updates:
Title
Geography
Provenance
Text entries
Tag photo in From Chanel to Reves on page 17 and 21 once permission to use is granted
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 1953: Gabrielle (Coco) Chanel (1883-1971), La Pausa, Roquebrune-Cap-Martin, France
1953-1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France, acquired from the above upon the sale of Villa La Pausa to Emery Reves, 1953
From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007)
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