2018.32.A-BB Runo Lagomarsino, When Gold Was King



GENERAL DESCRIPTION  
“The topic of reconciliation is a central societal issue. The work explores the possibilities and the shortcomings of practices of healing. . . . One possibility is through hope, identifying experiences where the societal and individual pain has been acknowledged, opening the possibility of healing. . . . For me, there is also another important reading of the work, or starting point: the blue as a reference to the sea (the Atlantic, the conquest, the slave trade) and the damage being restored with gold (the Atlantic, the conquest, the slave trade). Can the work also be an investigation of capitalism at its core, with its fantasies that everything, even human suffering, can be commodified? Can the wrongdoing be rectified through covering the fractures with gold?

These multiple readings that the work allows capture my own ambivalence regarding the tension between reconciliation and forgetting, between acknowledgment and social justice.”
— Runo Lagomarsino

Excerpt from
  • Label text, Concentrations 61: Runo Lagomarsino, Entremundos, 2018. 

NOTES

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 

AUDIO ASSETS 

VIDEO ASSETS

IMAGE ASSETS
291499348: UMO

292467077: UMO


WEB RESOURCES 
  • Guggenheim~Learn more about the artist, Runo Lagomarsino.
  • Dallas Museum of Art~Review the 2018 exhibition, Concentrations 61: Runo Lagomarsino, EntreMundos.

ARCHIVAL RESOURCES

FUN FACTS

TEACHING IDEAS

RULES
Apply to objects where number equals 2018.32.A-BB

Category
rules_operator
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General Description
 
“The topic of reconciliation is a central societal issue. The work explores the possibilities and the shortcomings of practices of healing. . . . One possibility is through hope, identifying experiences where the societal and individual pain has been acknowledged, opening the possibility of healing. . . . For me, there is also another important reading of the work, or starting point: the blue as a reference to the sea (the Atlantic, the conquest, the slave trade) and the damage being restored with gold (the Atlantic, the conquest, the slave trade). Can the work also be an investigation of capitalism at its core, with its fantasies that everything, even human suffering, can be commodified? Can the wrongdoing be rectified through covering the fractures with gold?

These multiple readings that the work allows capture my own ambivalence regarding the tension between reconciliation and forgetting, between acknowledgment and social justice.”
— Runo Lagomarsino

Excerpt from
  • Label text, Concentrations 61: Runo Lagomarsino, Entremundos, 2018. 

Fun Facts

Archival Resources

Web Resources
 
  • Guggenheim~Learn more about the artist, Runo Lagomarsino.
  • Dallas Museum of Art~Review the 2018 exhibition, Concentrations 61: Runo Lagomarsino, EntreMundos.

Notes

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
2018.32.A-BB
tags
#draft
#completed
%Archived
*Contemporary Art
@Courtney
blue (color): AAT: 300129361
conceptual: AAT: 300264827
%copyedited_Heather
installations (visual works): AAT: 300047896
gold (metal): AAT: 300011021
healing (physical and mental activities): AAT: 300412111
colonization: AAT: 300055402
capitalism: AAT: 300055518
ceramics (object genre): AAT: 300151343
pain (sensation): AAT: 300055182
Atlantic Ocean: TGN: 7014206
slavery: AAT: 300055309
repairing: AAT: 300053737
broken (destroyed): AAT: 300053083
291499348: UMO
292467077: UMO
Lagomarsino_Runo: DMA
source file
object_notes_1_a-0164.xml.nores