1985.R.590.A-B, Unknown maker, Large wooden dining table, 16th century



GENERAL DESCRIPTION  
Fashion designer, Gabrielle (Coco) Chanel, originally installed this wooden dining table in the dining room at Villa La Pausa, and it remained part of the villa's decor through the residency of Wendy and Emery Reves. One of the hallmarks of La Pausa was simplicity, a characteristic that applied not only to decoration but also to etiquette. Lunches and dinners were not served at table but as a buffet. The height of the seats of the Louis XIII-style chairs that Chanel originally paired with this table meant that it was not always possible to sit comfortably at the neo-Gothic table, whose source was probably an English grammar school. 

Adapted from
  • DMA Label Copy (1985.R.590.A-B)
  • Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 20.

NOTES
TMS updates:
Title
Text extries
Geography
Provenance
Tag photo in From Chanel to Reves on page 14, 20 and 21 once permission to use is granted



Catalogue essays


Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1953: Gabrielle (Coco) Chanel (1883-1971), La Pausa, Roquebrune-Cap-Martin, France

1953-1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France, acquired from the above upon the sale of Villa La Pausa to Emery Reves, 1953

From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) 

AUDIO ASSETS 

VIDEO ASSETS

IMAGE ASSETS

WEB RESOURCES 

ARCHIVAL RESOURCES

FUN FACTS

TEACHING IDEAS

RULES
Apply to objects where number equals 1985.R.590.A-B




Category
rules_operator
AND
General Description
 
Fashion designer, Gabrielle (Coco) Chanel, originally installed this wooden dining table in the dining room at Villa La Pausa, and it remained part of the villa's decor through the residency of Wendy and Emery Reves. One of the hallmarks of La Pausa was simplicity, a characteristic that applied not only to decoration but also to etiquette. Lunches and dinners were not served at table but as a buffet. The height of the seats of the Louis XIII-style chairs that Chanel originally paired with this table meant that it was not always possible to sit comfortably at the neo-Gothic table, whose source was probably an English grammar school. 

Adapted from
  • DMA Label Copy (1985.R.590.A-B)
  • Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 20.

Fun Facts

Archival Resources

Web Resources
 

Notes
TMS updates:
Title
Text extries
Geography
Provenance
Tag photo in From Chanel to Reves on page 14, 20 and 21 once permission to use is granted



Catalogue essays


Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1953: Gabrielle (Coco) Chanel (1883-1971), La Pausa, Roquebrune-Cap-Martin, France

1953-1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France, acquired from the above upon the sale of Villa La Pausa to Emery Reves, 1953

From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) 

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
1985.R.590.A-B
tags
#draft
#completed
%copyedited_Gail
%Archived
carving (processes): AAT: 300053149
*Decorative Arts and Design
decorative arts: AAT: 300054168
@bartsch-allen
furniture: AAT: 300037680
furnishings (Hierarchy Name): AAT: 300037335
wood (plant material): AAT: 300011914
Chanel_Coco: ULAN: 500072500
Reves_Wendy: DMA
Reves_Emery: DMA
Villa La Pausa: DMA
Reves_Emery: ULAN: 500444887
tables (support furniture): AAT: 300039548
Roquebrune (France): TGN: 7017267
dining: AAT: 300379052
source file
object_notes_1_a-0067.xml.nores