1984.49.43.FA Berenice Abbott, Fulton Street Fish Market


GENERAL DESCRIPTION  

NOTES
1936, print 1983

Object File Reviewed

2/40 

Publication Retrospecitve Parasol Press, Ltd., New York in association with V & R Graphics, New York, 1983

Exhibition: Documenting New York: Photographs by Berenice Abbott  January 25, 1992-April 2, 1992. (DMA website says Feb which is wrong)

Acquisition Checklist:
"After almost 60 years in photography Berenice Abbott claims her rightful place as one of the greatest of American photographers. She has always been an exponent of realism, a tireless and uncompromising advocate for the documentary approach in photography. In 1951 she wrote, "We should take hold of that very quality (realism), make use of it and explore it to its fullest." Her most renown work was completed during the 1930s when, with WPA assistance, she documented the life and architecture of New York City which resulted in the 1939 publication entitled Changing New York.

This recently published portfolio of 50 of Abbott's most important images, whose production the artist supervised, is an outstanding addition to our photography collection."e

Text panel, December 20, not year, no author
"Born in Ohio in 1898, Berenice Abbott attended Ohio State University before moving to New York City in 1918. There she lived in Greenwich Village and attended Columbia University's School of Journalism.

In the 1920s she left for Paris where she worked as an assistant to Man Ray. There she established her reputation by photographing famous artists, writers, and American expatriates. Also she was introduced to the photographs of Eugene Atget and was primarily responsible for preserving his work and bringing it to public attention and acclaim. His photographs of Paris were an inspiration for her documentation of New York City in the 1930s. 

After the New York project, she turned her attention to photographing science-related subjects. In 1966 she moved to Maine, where she lived until her recent death at the age of 93 in December 1991.


Book: Berenice Abbott: Changing New York: The Complete WPA Project (Museum of the city of NY, Bonnie Yochelson)
"In February 1940, the monthly magazine Popular Photography asked Abbott to name her 'favorite picture.' She balked at the question but responded: Suppose we took a thousand negatives and made a gigantic montage; a myriad-faceted picture combining the elegances, the squalor, the curiosities, the monuments, the sad faces, the triumphant faces, the power, the irony, the strength, the decay, the past, the present, the future of a city—that would be my favorite picture." p. 9


DMA show Berenice Abbott: Documenting New York: According to DMA.org "Exact opening and closing dates for this exhibition are not know; exhibition was on view at some time in June-September 1994."
Also Documenting New York: Photographs by Berenice Abbott 1/25/92-2/2/92

Berenice Abbott Changing New York p. 10 "By 1920, she had befriended Dadaists Marcel Duchamp and Man Ray, whom she boasted having taught to dance."


Catalogue essays

Artist/designers

Cultures

Geography 
Depicted location and place of origin: New York (New York/United States): TGN: 7007567

Process/materials
Photography

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
From 1984: Dallas Museum of Art, Foundation for the Arts Collection, gift of Morton and Marlene Meyerson [1]

[1] The Foundation for the Arts is a non-profit corporation created as a title-holding entity to serve the people of Dallas but to operate independently of the City. The Dallas Museum of Art (at its own cost) is responsible for the care, storage, insurance, conservation and maintenance of the collection, and agrees to maintain the highest museum standards in the management and handling of the Foundation's collection. The title to all works of art purchased or otherwise acquired by the Foundation for the Arts is retained by the Foundation. 

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Apply to objects where number equals 1984.49.43.FA

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Notes
1936, print 1983

Object File Reviewed

2/40 

Publication Retrospecitve Parasol Press, Ltd., New York in association with V & R Graphics, New York, 1983

Exhibition: Documenting New York: Photographs by Berenice Abbott  January 25, 1992-April 2, 1992. (DMA website says Feb which is wrong)

Acquisition Checklist:
"After almost 60 years in photography Berenice Abbott claims her rightful place as one of the greatest of American photographers. She has always been an exponent of realism, a tireless and uncompromising advocate for the documentary approach in photography. In 1951 she wrote, "We should take hold of that very quality (realism), make use of it and explore it to its fullest." Her most renown work was completed during the 1930s when, with WPA assistance, she documented the life and architecture of New York City which resulted in the 1939 publication entitled Changing New York.

This recently published portfolio of 50 of Abbott's most important images, whose production the artist supervised, is an outstanding addition to our photography collection."e

Text panel, December 20, not year, no author
"Born in Ohio in 1898, Berenice Abbott attended Ohio State University before moving to New York City in 1918. There she lived in Greenwich Village and attended Columbia University's School of Journalism.

In the 1920s she left for Paris where she worked as an assistant to Man Ray. There she established her reputation by photographing famous artists, writers, and American expatriates. Also she was introduced to the photographs of Eugene Atget and was primarily responsible for preserving his work and bringing it to public attention and acclaim. His photographs of Paris were an inspiration for her documentation of New York City in the 1930s. 

After the New York project, she turned her attention to photographing science-related subjects. In 1966 she moved to Maine, where she lived until her recent death at the age of 93 in December 1991.


Book: Berenice Abbott: Changing New York: The Complete WPA Project (Museum of the city of NY, Bonnie Yochelson)
"In February 1940, the monthly magazine Popular Photography asked Abbott to name her 'favorite picture.' She balked at the question but responded: Suppose we took a thousand negatives and made a gigantic montage; a myriad-faceted picture combining the elegances, the squalor, the curiosities, the monuments, the sad faces, the triumphant faces, the power, the irony, the strength, the decay, the past, the present, the future of a city—that would be my favorite picture." p. 9


DMA show Berenice Abbott: Documenting New York: According to DMA.org "Exact opening and closing dates for this exhibition are not know; exhibition was on view at some time in June-September 1994."
Also Documenting New York: Photographs by Berenice Abbott 1/25/92-2/2/92

Berenice Abbott Changing New York p. 10 "By 1920, she had befriended Dadaists Marcel Duchamp and Man Ray, whom she boasted having taught to dance."


Catalogue essays

Artist/designers

Cultures

Geography 
Depicted location and place of origin: New York (New York/United States): TGN: 7007567

Process/materials
Photography

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
From 1984: Dallas Museum of Art, Foundation for the Arts Collection, gift of Morton and Marlene Meyerson [1]

[1] The Foundation for the Arts is a non-profit corporation created as a title-holding entity to serve the people of Dallas but to operate independently of the City. The Dallas Museum of Art (at its own cost) is responsible for the care, storage, insurance, conservation and maintenance of the collection, and agrees to maintain the highest museum standards in the management and handling of the Foundation's collection. The title to all works of art purchased or otherwise acquired by the Foundation for the Arts is retained by the Foundation. 

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rules
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Objects
number
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1984.49.43.FA
tags
fish (animals): AAT: 300266085
#draft
#completed
human figures: AAT: 300404114
@Schiller
*American Art
sky: AAT: 300263064
@Russell
windows: AAT: 300002944
#routed
hats (headgear): AAT: 300046106
arches: AAT: 300000994
shadows: AAT: 300056036
New York (New York/United States): TGN: 7007567
black (color): AAT: 300130920
photography (discipline): AAT: 300389795
photographs: AAT: 300046300
gelatin silver process: AAT: 300139114
gelatin silver prints: AAT: 300128695
aprons (main garments): AAT: 300258453
ice (water by form): AAT: 300011781
Abbott_Berenice: ULAN: 500020631
automobiles: AAT: 300178739
cities: AAT: 300008389
cityscapes (representations): AAT: 300015571
smokestacks: AAT: 300052398
streets: AAT: 300008247
wheels: AAT: 300024976
markets (events): AAT: 300112347
buildings (structures): AAT: 300004792
black-and-white photographs: AAT: 300128347
businesses (business enterprises): AAT: 300025966
signs (declaratory or advertising artifacts): AAT: 300123013
signage: AAT: 300193977
lighting: AAT: 300051944
brick (clay product): AAT: 300010463
carts (vehicles): AAT: 300212695
water towers (reservoirs): AAT: 300006204
barrels (containers): AAT: 300194514
overalls (main garments): AAT: 300046178
trucks: AAT: 300022371
pediments: AAT: 300002726
marketplaces: AAT: 300000250
black-and-white (colors): AAT: 300265434
carrying (physical activities): DMA
source file
object_notes_1_a-0061.xml.nores