2016.16.2, Annette Kelm, Judith, old Masters, 2012


GENERAL DESCRIPTION  
Annette Kelm’s curiously staged images often do not distinguish between objects and people, and in her ongoing series of portraits, friends and fellow artists are depicted with the same deadpan style as inanimate objects [2016.16.1, 2016.16.3, 2016.16.5]. Judith, old Masters (2014) features the artist Judith Hopf seated in front of a patterned backdrop made of fabric that features a variety of “old master” paintings. While the context of the fabric would appear to celebrate her fellow artist, Kelm reveals the constructedness of the photograph’s making (pins and duct tape hold the backdrop in place) presenting her friend in a matter-of-fact and somewhat unceremonious fashion. Here, the tension between image and artifice is thus mixed with a dry sense of humor resulting in a strange but captivating portrait.

Adapted from 
Gabriel Ritter, DMA unpublished material, 2016.

NOTES
EAS 3/5/2019- Online page showed description for 2016.16.1 because the rule on that page was incorrect. I updated the rule for that page and am hoping the correct description for this page will now display since the rule is accurate. 

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 2016: Marc Foxx Gallery, Los Angeles, CA

From 2016: Dallas Museum of Art, purchased from above [1]

[1] previously entered provenance, TMS 2016.16.5

AUDIO ASSETS 

VIDEO ASSETS

IMAGE ASSETS

WEB RESOURCES 

ARCHIVAL RESOURCES

FUN FACTS

TEACHING IDEAS

RULES
Apply to objects where number equals 2016.16.2

Category
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General Description
 
Annette Kelm’s curiously staged images often do not distinguish between objects and people, and in her ongoing series of portraits, friends and fellow artists are depicted with the same deadpan style as inanimate objects [2016.16.1, 2016.16.3, 2016.16.5]. Judith, old Masters (2014) features the artist Judith Hopf seated in front of a patterned backdrop made of fabric that features a variety of “old master” paintings. While the context of the fabric would appear to celebrate her fellow artist, Kelm reveals the constructedness of the photograph’s making (pins and duct tape hold the backdrop in place) presenting her friend in a matter-of-fact and somewhat unceremonious fashion. Here, the tension between image and artifice is thus mixed with a dry sense of humor resulting in a strange but captivating portrait.

Adapted from 
Gabriel Ritter, DMA unpublished material, 2016.

Fun Facts

Archival Resources

Web Resources
 

Notes
EAS 3/5/2019- Online page showed description for 2016.16.1 because the rule on that page was incorrect. I updated the rule for that page and am hoping the correct description for this page will now display since the rule is accurate. 

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 2016: Marc Foxx Gallery, Los Angeles, CA

From 2016: Dallas Museum of Art, purchased from above [1]

[1] previously entered provenance, TMS 2016.16.5

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
2016.16.2
tags
#draft
#completed
%copyedited_Gail
@Bowling
%Archived
sitting (seated): AAT: 300263970
painting (visual works): AAT: 300033618
*Contemporary Art
blue (color): AAT: 300129361
patterns (design elements): AAT: 300010108
textiles (visual works): AAT: 300014063
artists (visual artists): AAT: 300025103
background: AAT: 300056369
portrait: AAT: 300015637
pose: AAT: 300067390
boots (footwear): AAT: 300046057
photography (discipline): AAT: 300389795
photographs: AAT: 300046300
fabric art: AAT: 300386847
Kelm_Annette: ULAN: 500356388
source file
object_notes_1_a-0046.xml.nores