GENERAL DESCRIPTION
Artists have been weaving in the Andean region of South America for thousands of years. They use natural resources such as cotton, camelid hair, and insect and plant dyes to produce striking textiles of complex forms, colors, and designs. The labor-intensive process of creating a textile begins with sheering camelids for the raw hair and picking raw cotton. These fibers are cleaned, combed, and spun into thread, which is dyed with natural colorants and woven together using a variety of techniques and tools. Rather than weaving fabric, which is intended to be cut and sewn into something usable or wearable, Andean weavers generally produce textiles in their entirety. The textiles are finished along all four edges directly on the loom, which requires meticulous planning. In the Andes, the skills and techniques of weaving are passed down orally and through demonstration from generation to generation.
A variety of looms are used for textile production in the Andes. The ground loom is fastened to the ground with four stakes, and the weaver sits on the ground as he or she weaves. The vertical loom is fastened to the ground with two lateral stakes; the warp threads are stretched vertically between two parallel beams. The back strap loom is a portable loom in which one end is attached to a tree or post, while the other end is secured to a belt that wraps around the weaver's back.
Adapted from
Kimberly L. Jones, PhD, Inca: Conquests of the Andes / Los Incas y las conquistas de los Andes, Gallery text, 2015.
NOTES
General description taken from: Kimberly L. Jones, "Inca: Conquests of the Andes / Los Incas y las conquistas de los Andes," Label Copy (Textile Production in the Andes), 2015.
ASSOCIATED CONTENT CHUNKS
- Andes, South America
- Z-Spun or Z-Plied
- Wool
- Weft-Faced
- Weft
- Weaver's Knot
- Warping
- Warp-Patterned Weave
- Warp-Faced Weave
- Warp Resist
- Warp Loops
- Warp Cross
- Warp Beam
- Warp
- Walking Wheel
- Twining
- Twill Weave
- Turn-Banded 2/1 Twill
- Treadle Loom
- Tenter
- Teasel
- Tapestry Weave
- Tapestry Join
- Tapestry
- Synthetic Fiber
- Synthetic Dye
- Sword
- Swift
- Supplementary-Weft Patterning
- Supplementary Warp
- Supplementary Pile
- Stick Shuttle
- Stem Stitch
- Sprang
- Spinning (textiles)
- Slit Tapestry
- Shuttle
- Shedding Device
- Shed Rod
- Shed
- Shaft
- Selvedge
- S-Spun or S-Plied
- Roller Bar
- Resist Dyeing
- Reed
- Raddle
- Plying
- Plain Weave
- Pile
- Pick up Stick
- Pick
- Paño
- Obraje
- Oblique Interlacing
- Mordant
- Maguey
- Loom Bars
- Loom
- Lienzo
- Liencillo
- Lease Rod
- Jerga
- Intertwining
- Interlooping
- Interlocked Join
- Interlacing
- Indigo
- Herringbone Twill Weave
- Heddle Rod
- Heddle
- Heading
- Gauze Weave
- Float
- Fell
- Featherwork
- Embroidery
- Eccentric Weft
- Dye
- Dummy Warp
- Dual-Lease Weaving
- Dovetail Stake
- Dovetailed Join
- Dovetail Cord
- Double Cloth
- Discontinuous Warp or Weft Yarns
- Direction of Twist
- Cross-Knit Looping
- Cross-Knit Loop Stitch
- Cross Sticks
- Cow Hitch (Lark's Head Knot)
- Countered
- Counterbalance Loom
- Cotton
- Complementary Warp or Weft Weave
- Coil Rod
- Cochineal
- Cloth Beam
- Chain Warp Loops
- Camelid Fiber
- Brocaded
- Breast Beam
- Braiding
- Bound-Warp Resist Dyed
- Bobbin
- Boat Shuttle
- Bayeta
- Backstrap Loom
- Back Beam
- Acrylic (fiber)
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
- 265930415: UMO. [Caption] Ground loom. Source: Kimberly Jones, "Inca: Conquests of the Andes / Los Incas y las conquistas de los Andes," Label Copy (Looms), 2015 (after drawing by Jane W. Rehl, in Andean Textile Traditions, Denver Art Museum 2006).
- 265930642: UMO. [Caption] Vertical loom. Source: Kimberly Jones, "Inca: Conquests of the Andes / Los Incas y las conquistas de los Andes," Label Copy (Looms), 2015 (after Felipe Guamán Poma de Ayala, Nueva Corónica y Buen Gobierno, 1615, p. 647).
- 265930325: UMO. [Caption] Back strap loom. Source: Kimberly Jones, "Inca: Conquests of the Andes / Los Incas y las conquistas de los Andes," Label Copy (Looms), 2015 (after Felipe Guamán Poma de Ayala, Nueva Corónica y Buen Gobierno, 1615, p. 217).
WEB RESOURCES
The Metropolitan Museum of Art~Read more about Andean Textiles.
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
SET OPERATOR AS OR
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apply to OBJECTS where culture contains Chimú AND classification_name equals textiles
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apply to OBJECTS where culture contains Chongoyape AND classification_name equals textiles
apply to OBJECTS where culture contains Cupisnique AND classification_name equals textiles
apply to OBJECTS where culture contains Gallinazo-Viru AND classification_name equals textiles
apply to OBJECTS where culture contains Huari AND classification_name equals textiles
apply to OBJECTS where culture contains Ica AND classification_name equals textiles
apply to OBJECTS where culture contains Inca AND classification_name equals textiles
apply to OBJECTS where culture contains Inka AND classification_name equals textiles
apply to OBJECTS where culture contains Moche AND classification_name equals textiles
apply to OBJECTS where culture contains Nasca AND classification_name equals textiles
apply to OBJECTS where culture contains Nazca AND classification_name equals textiles
apply to OBJECTS where culture contains Nieveria AND classification_name equals textiles
apply to OBJECTS where culture contains Paracas AND classification_name equals textiles
apply to OBJECTS where culture contains Recuay AND classification_name equals textiles
apply to OBJECTS where culture contains Salinar AND classification_name equals textiles
apply to OBJECTS where culture contains Lambayeque AND classification_name equals textiles
apply to OBJECTS where culture contains Tembladera AND classification_name equals textiles
apply to OBJECTS where culture contains Tiwanaku AND classification_name equals textiles
apply to OBJECTS where culture contains Tiahuanaco AND classification_name equals textiles
apply to OBJECTS where culture contains Vicus AND classification_name equals textiles
apply to OBJECTS where culture contains Viru AND classification_name equals textiles
apply to OBJECTS where culture contains Wari AND classification_name equals textiles
apply to OBJECTS where number equals 1989.W.2436
apply to OBJECTS where number equals 1989.W.2256
apply to OBJECTS where number equals 1989.W.2479
apply to OBJECTS where number equals 1989.W.2429
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apply to OBJECTS where number equals 1983.W.1839
apply to OBJECTS where number equals 1983.W.1835
apply to OBJECTS where number equals 1983.W.1812.A-B
apply to OBJECTS where number equals 1983.W.1809
apply to OBJECTS where number equals 1983.W.1821
apply to OBJECTS where number equals 1983.W.1818
apply to OBJECTS where number equals 1983.W.1815
apply to OBJECTS where number equals 1990.149.FA
apply to OBJECTS where number equals 1975.61
apply to OBJECTS where number equals 1983.W.2168
apply to OBJECTS where number equals 1983.W.2167
apply to OBJECTS where number equals 1989.W.2349
apply to OBJECTS where number equals 1989.W.2390
apply to OBJECTS where number equals 1989.W.2429
apply to OBJECTS where number equals 1989.W.2256
apply to OBJECTS where number equals 1989.W.2418
apply to OBJECTS where number equals 1989.W.2479
apply to OBJECTS where number equals 1989.W.2431
apply to OBJECTS where number equals 1991.380
apply to OBJECTS where number equals 1994.281
apply to OBJECTS where number equals 1989.W.2433
apply to OBJECTS where number equals 2006.27
apply to OBJECTS where number equals 1983.W.2229
apply to OBJECTS where number equals 1990.149.FA
apply to OBJECTS where number equals 1991.373
apply to OBJECTS where number equals 1983.W.1927
apply to OBJECTS where number equals S.1980.6
apply to OBJECTS where number equals 1989.W.2364
Category
rules_operator
OR
General Description
Artists have been weaving in the Andean region of South America for thousands of years. They use natural resources such as cotton, camelid hair, and insect and plant dyes to produce striking textiles of complex forms, colors, and designs. The labor-intensive process of creating a textile begins with sheering camelids for the raw hair and picking raw cotton. These fibers are cleaned, combed, and spun into thread, which is dyed with natural colorants and woven together using a variety of techniques and tools. Rather than weaving fabric, which is intended to be cut and sewn into something usable or wearable, Andean weavers generally produce textiles in their entirety. The textiles are finished along all four edges directly on the loom, which requires meticulous planning. In the Andes, the skills and techniques of weaving are passed down orally and through demonstration from generation to generation.
A variety of looms are used for textile production in the Andes. The ground loom is fastened to the ground with four stakes, and the weaver sits on the ground as he or she weaves. The vertical loom is fastened to the ground with two lateral stakes; the warp threads are stretched vertically between two parallel beams. The back strap loom is a portable loom in which one end is attached to a tree or post, while the other end is secured to a belt that wraps around the weaver's back.
Adapted from
Kimberly L. Jones, PhD, Inca: Conquests of the Andes / Los Incas y las conquistas de los Andes, Gallery text, 2015.
Fun Facts
Archival Resources
Web Resources
Notes
General description taken from: Kimberly L. Jones, "Inca: Conquests of the Andes / Los Incas y las conquistas de los Andes," Label Copy (Textile Production in the Andes), 2015.
source file
materials_and_techniques-0183.xml.nores