Olmec Masks

GENERAL DESCRIPTION
Olmec masks with human features are among the most beautiful sculptures of jade and serpentine produced by Olmec lapidaries. The tradition of stone masks appears to be a Middle Formative phenomenon, although Early Formative clay masks from Guerrero in Central Mexico indicate the antiquity of the concept. Most Olmec stone masks that portray human beings come from the Río Pesquero area; similar masks have been found in the Mexican states of Chiapas, Guerrero, Puebla, and in Guatemala and Honduras. Olmec artists carved masks from the same blue and green jade and serpentine that they favored for their small-scale sculptures. The wide varieties of surface colorations that Olmec masks exhibit were produced by exposure to heat in cremation fires and ritual burning, or by weathering caused by soil acids and groundwater. Olmec life-size stone masks usually have three suspension holes, one at the top of the carving and two more beneath the ears. Almost all have some combination of cut-through eyes, nostrils, and mouth. Western cultures tend to think of masks as obscuring the real face. But for Mesoamerican peoples, masks have always revealed the true inner being of an individual. Masks worn by living people often showed their supernatural forms. Masks worn by deceased rulers preserved for eternity their human form.

Drawn from
  • DMA unpublished material [1973.17].
  • Peter David (P.D.) Joralemon, "Human Mask," in Olmec Art of Ancient Mexico, ed. Elizabeth P. Benson and Beatriz de la Fuente (Washington, D.C.: National Gallery of Art, Harry N. Abrams, Inc., and Consejo Nacional para la Cultura y las Artes, 1996), 239.

NOTES
  • NOTE: Please use image in DMA collections. (See rules).
  • General Description drawn from: DMA unpublished material [TMS Object Record, Olmec Mask (1973.17), Label Text (Notes)].

ASSOCIATED CONTENT CHUNKS

AUDIO ASSETS

VIDEO ASSETS

IMAGE ASSETS

WEB RESOURCES
  • Khan Academy~Watch a video with Metropolitan Museum of Art curator, Joanne Pillsbury, discussing immortality and Olmec masks.
  • Khan Academy~Watch a video with Dr. Lauren Kilroy-Ewbank and Dr. Steven Zucker addressing Olmec masks and burial offerings.

ARCHIVAL RESOURCES


FUN FACTS

TEACHING IDEAS

RULES
SET OPERATOR AS OR
Apply to objects where number equals 1973.17
Apply to objects where number equals 1968.17.FA


rules_operator
OR
General Description
Olmec masks with human features are among the most beautiful sculptures of jade and serpentine produced by Olmec lapidaries. The tradition of stone masks appears to be a Middle Formative phenomenon, although Early Formative clay masks from Guerrero in Central Mexico indicate the antiquity of the concept. Most Olmec stone masks that portray human beings come from the Río Pesquero area; similar masks have been found in the Mexican states of Chiapas, Guerrero, Puebla, and in Guatemala and Honduras. Olmec artists carved masks from the same blue and green jade and serpentine that they favored for their small-scale sculptures. The wide varieties of surface colorations that Olmec masks exhibit were produced by exposure to heat in cremation fires and ritual burning, or by weathering caused by soil acids and groundwater. Olmec life-size stone masks usually have three suspension holes, one at the top of the carving and two more beneath the ears. Almost all have some combination of cut-through eyes, nostrils, and mouth. Western cultures tend to think of masks as obscuring the real face. But for Mesoamerican peoples, masks have always revealed the true inner being of an individual. Masks worn by living people often showed their supernatural forms. Masks worn by deceased rulers preserved for eternity their human form.

Drawn from
  • DMA unpublished material [1973.17].
  • Peter David (P.D.) Joralemon, "Human Mask," in Olmec Art of Ancient Mexico, ed. Elizabeth P. Benson and Beatriz de la Fuente (Washington, D.C.: National Gallery of Art, Harry N. Abrams, Inc., and Consejo Nacional para la Cultura y las Artes, 1996), 239.

Fun Facts

Archival Resources


Web Resources
  • Khan Academy~Watch a video with Metropolitan Museum of Art curator, Joanne Pillsbury, discussing immortality and Olmec masks.
  • Khan Academy~Watch a video with Dr. Lauren Kilroy-Ewbank and Dr. Steven Zucker addressing Olmec masks and burial offerings.

Notes
  • NOTE: Please use image in DMA collections. (See rules).
  • General Description drawn from: DMA unpublished material [TMS Object Record, Olmec Mask (1973.17), Label Text (Notes)].

rules
Apply To
Objects
number
Equals
1973.17
Apply To
Objects
number
Equals
1968.17.FA
tags
#draft
#completed
@Higgins
*Arts of the Americas
%copyedited_Gail
funerary objects: AAT: 300234126
Pre-Columbian (American): AAT: 300016619
masks (costume): AAT: 300138758
polishing (finishing): AAT: 300053867
carving (processes): AAT: 300053149
jadeite (mineral): AAT: 300011121
Central America (Mesoamerica): TGN: 7016739
fires (events): AAT: 300068986
Middle Preclassic period (Formative period / Mesoamerican periods and styles): AAT: 300016973
burning (physicochemical processes): AAT: 300228062
portrait: AAT: 300015637
stone: AAT: 300011176
jade (rock): AAT: 300011119
greenstone (rock): AAT: 300386691
cremations (events): AAT: 300266356
weathering (changes / processes): AAT: 300054115
source file
cultures_and_traditions-0115.xml.nores